Gender Differences in Mathematics Essay Example for Free

Gender Differences in Mathematics Essay Throughout the first half of the 20th century and into the second, women studying or working in engineering were popularly perceived as oddities at best, outcasts at worst, defying traditional gender norms. Female engineers created systems of social, psychological, and financial mutual support, through such strategies, conditions for female engineers changed noticeably over just a few decades, although many challenges remain. Engineering education in the United States has had a gendered history, one that until relatively recently prevented women from finding a place in the predominantly male technical world. For decades, Americans treated the professional study of technology as mens territory. At places where engineerings macho culture had become most ingrained, talk of women engineers seemed ridiculous (Sax, 2005). For years its been assumed that young women avoid careers in mathematics-based fields, like engineering and physics, because they lack confidence in their math skills. But a new study finds that it’s not a lack of confidence in their math skills that drives girls from those fields; its a desire to work in people-oriented professions. It has been found that young women who are strong in math tend to seek careers in the biological sciences. They value working with and for people, they dont perceive engineering as a profession that meets that need. The environment at many tech schools is hostile toward helping students achieve a degree and is more geared toward weeding out those who are struggling. Its difficult to come up with alternative engineering solutions if everybody in the room looks alike. Thats the initial reason why automakers and suppliers are busy trying to identify and hire minority and women engineers. The business case is that if more than half of an automakers customers are either female and/or people of color, which they are, then those groups need to be represented in every sector of the company. One of the most important areas for automakers to get a range of views is in product development. With that diversity mission in mind, DaimlerChrysler Corp. , Ford Motor Co. and General Motors Corp. , all have mounted aggressive programs to identify and hire minority and women engineers. At GM the story is the same. To attract minority and women engineers, the automaker proclaims that innovation comes from the people who see the world in a different way than everyone else. One women and minorities enter into the automotive engineering ranks, they need to be challenged and encouraged to develop their careers or theyll be gone (Sax, 2005). Its not just the Big Three that are working to create a more diverse engineering workforce. Suppliers and engineering support organizations such as the Society of Automotive Engineers are trying to draw more women and minorities into the profession. Faced with chronically small percentages of minorities and women in virtually every segment of engineering, companies are going to great lengths to attract them to the world of automotive engineering. Harvard President Lawrence Summers ignited a firestorm recently when he suggested more men than women are scientists because of differences between males and females in â€Å"intrinsic aptitude. † Many scientists-both men and women-expressed outrage at Summer’s remarks and blamed any lag in math among girls mainly on discrimination and socialization (Dean, 2006). They point out that girls have closed the gap in average scores on most standardized math tests in elementary and high school. Today women constitute almost half of college math majors and more than half of biology majors. But Summer’s supporters say he courageously raised a legitimate question for scientific inquiry. Indeed, in recent years some researchers have been pursuing a scientific explanation for the discrepancies in math and science aptitude and achievement among boys and girls and have found differences, including biological ones. Summer’s suggestion that women are biologically inferior in math infuriated many female scientists. Some asserted that the other two factors he mentioned were far more important in keeping women out of science: sex discrimination and the way girls are taught to view math as male territory. Some differences are well established. Girls do better on tests of content learned in class and score much higher on reading and writing tests than boys. Boys score higher on standardized tests with math and science problems not directly tied to their school curriculum. On tests of spatial awareness, boys do better on tests that involve navigation through space. Girls are better at remembering objects and landmarks. Studies show differences in brain structure and hormonal levels that appear to influence spatial reasoning. But the implications of these differences for real world math and science achievement remain unclear. â€Å"There is evidence that male and female brains differ anatomically is subtle ways, but no one knows how these anatomical differences relate to cognitive performance,† (Dean, 2006). At the heart of the current controversy is a societal implication-that the failure of an institution like Harvard to tenure even one woman mathematician can be blamed on the lack of top-flight women mathematicians, which in turn can be blamed on too-few top female minds in math. As evidence of intrinsic aptitude differences, Summers pointed out that more boys than girls receive top scores on standardized math tests. Today girls receive better grades than boys in math and science through high school, have closed the gap on average scores on most standardized math tests and take more advantage high school classes than boys in almost every category except physics and high-level calculus. In college they constitute nearly half the math majors and more than half the biology majors. Indeed, today a growing number of researchers contend boys are the ones who are shortchanged-judging by the larger proportion of boys in special-education classes and the declining proportion attending college. Women now make up 56 percent of students enrolled in college; by 2012, the Department of Education projects they will account for about 60 percent of bachelor’s degrees (2002). The fact that more boys than girls make top scores on standardized math tests is often invoked as evidence that boys possess an innate superiority in high-level math. Experts on both sides of the divide agree gender differences are real, even if they disagree bout how much is socially learned and how much biologically based. Girls do better on writing and on algebra problems, probably because algebraic equations are similar to sentences, and girls excel in language processing. Boys are better at mathematical word problems; girls are better at mathematical calculation. Boys and girls also differ on spatial skills, and experts are divided over how innate or important these differences are. A recent study of the Graduate Record Exam, for instance, found men did better on math problems where a spatially based solution was an advantage (Gallagher, Kaufman, 2005). Sex hormones have been shown in several studies to affect the ability to envision an object rotating in space. Females who take male hormones to prepare for a sex-change operation improve on tests of 3-D rotation and get worse on tests of verbal fluency, at which women typically excel. During their menstrual cycle, women do better on 3-D rotation when levels of the female hormone estrogen are low; they do better on verbal fluency when estrogen levels are high. If science be taught directly with a hands-on, inquiry-based approach, it sustains girl’s interest in science. Girls like to work in cooperative teams, a lot of science was taught in a competitive mode. Women scientists also earn less than men. But it’s only fair that women who work fewer hours face the economic consequences of lower salaries and less status. References: Dean, Cornelia. (2006). â€Å"Dismissing ‘Sexist Opinions’ About Women’s Place in Science†. A Conversation with Ben A. Barres. The New York Times. July 18, 2006, pp. 1-5. Gallagher, Ann M. , Kaufman, James M. (2005). â€Å"Gender Differences in Mathematics: An Integrative Psychological Approach. Cambridge University Press. National Center for Education Statistics, â€Å"Projections of Education Statistics To 2012†. (2002). Available on-line: http://nces. ed. gov/pubs2002/proj. 2012/ch_2. asp.. Sax, Leonard. (2005). Too Few Women- â€Å"Figure It Out†. Los Angeles Times. Jan. 23, 2005.

Poes Fall of The House of Usher Essay - Downward Transcendence :: Fall House Usher Essays

Downward Transcendence in The Fall of the House of Usher    According to Beverly Voloshin in "Transcendence Downward: An Essay on 'Usher' and 'Ligeia,'" Poe presents transcendental projects which threaten to proceed downward rather than upward" in his story "The Fall of the House of Usher" (19). Poe mocks the transcendental beliefs, by allowing the characters Roderick Usher, Madeline Usher, the house and the atmosphere   to travel in a downward motion into decay and death, rather than the upward transcendence into life and rebirth that the transcendentalists depict. The transcendence of the mind begins with Roderick Usher and is reflected in the characters and environment around him.    The beliefs of transcendentalists are continuously filled with bright colors and ideas, and heavenly-like tones. The character Roderick Usher suffered much from a morbid acuteness of the senses" which refers to his transcendental beliefs (Poe 1465). Usher finds his transcendental connection with the oversoul but instead of brightness he finds gloom with black, white and gray colors. Madeline Usher suffers from "a gradual wasting away of the person, and frequent although transient affections of a partially cataleptical character" (Poe 1465). This results from a loss of contact with the physical world, again a characteristic of a transcendentalist, yet negative instead of positive. According to Voloshin "Madeline matches her bother's pallor, but her special mark is red-a faint blush when she is interred and blood on her garments when she emerges" (22). Both characters differ from transcendentalists with their disintegration of the body and mind instead of a rebirth of the body and mind of a transcendentalist.    Because of his connection with the oversoul Roderick Usher finds it difficult to communicate with words, so instead he uses paintings and writings to describe his inner thoughts. Voloshin describes how in   "The Haunted Palace," a writing by Usher, he explains his own " fall of order into chaos, reason into madness, innocence into experience" (20). Representing another downward and deathly transcendence is Madeline, who is painted in the "vault or tunnel" by Roderick. In the painting, Roderick portrays Madeline in a tomb, and gives her no chance to have her own beliefs by locking her in. By doing this,   Roderick breaks the transcendental belief that says being locked into the past is wrong, and each person should break free to create beliefs of their own.    Just as the transcendence into decay is found in the characters of "The Fall of the House of Usher" it is also found in the actual house and the environment around it.

Zoe’s Tale PART I Chapter Four

Let me tell you about that jade elephant. My mother's name – my biological mother's name – was Cheryl Boutin. She died when I was five; she was hiking with a friend and she fell. My memories of her are what you'd expect them to be: hazy fragments from a five-year-old mind, supported by a precious few pictures and videos. They weren't that much better when I was younger. Five is a bad age to lose a mother, and to hope to remember her for who she was. One thing I had from her was a stuffed version of Babar the elephant that my mother gave to me on my fourth birthday. I was sick that day, and had to stay in bed all day long. This did not make me happy, and I let everyone know it, because that was the kind of four-year-old I was. My mother surprised me with the Babar doll, and then we cuddled up together and she read Babar's stories to me until I fell asleep, lying across her. It's my strongest memory of her, even now; not so much how she looked, but the low and warm sound of her voice, and the softness of her belly as I lay against her and drifted off, her stroking my head. The sensation of my mother, and the feeling of love and comfort from her. I miss her. Still do. Even now. Even right now. After my mother died I couldn't go anywhere without Babar. He was my connection to her, my connection to that love and comfort I didn't have anymore. Being away from Babar meant being away from what I had left of her. I was five years old. This was my way of handling my loss. It kept me from falling into myself, I think. Five is a bad age to lose your mother, like I said; I think it could be a good age to lose yourself, if you're not careful. Shortly after my mother's funeral, my father and I left Phoenix, where I was born, and moved to Covell, a space station orbiting above a planet called Omagh, where he did research. Occasionally his job had him leave Covell on business trips. When that happened I stayed with my friend Kay Greene and her parents. One time my father was leaving on a trip; he was running late and forgot to pack Babar for me. When I figured this out (it didn't take long), I started to cry and panic. To placate me, and because he did love me, you know, he promised to bring me a Celeste doll when he returned from his trip. He asked me to be brave until then. I said I would, and he kissed me and told me to go play with Kay. I did. While he was away, we were attacked. It would be a very long time before I would see my father again. He remembered his promise, and brought me a Celeste. It was the first thing he did when I saw him. I still have her. But I don't have Babar. In time, I became an orphan. I was adopted by John and Jane, who I call â€Å"Dad† and â€Å"Mom,† but not â€Å"Father† and â€Å"Mother,† because those I keep for Charles and Cheryl Boutin, my first parents. John and Jane understand this well enough. They don't mind that I make the distinction. Before we moved to Huckleberry – just before – Jane and I went to a mall in Phoenix City, the capital city of Phoenix. We were on our way to get ice cream; when we passed a toy store I ran in to play hide-and-seek with Jane. This went smashingly until I went down an aisle with stuffed animals in it, and came face-to-face with Babar. Not my Babar, of course. But one close enough to him that all I could do was stop and stare. Jane came up behind me, which meant she couldn't see my face. â€Å"Look,† she said. â€Å"It's Babar. Would you like one to go with your Celeste doll?† She reached over and picked one out of the bin. I screamed and slapped it out of her hand and ran out of the toy store. Jane caught up with me and held me while I sobbed, cradling me against her shoulder, stroking my head like my mother did when she read the Babar stories to me on my birthday. I cried myself out and then when I was done, I told her about the Babar my mother had given me. Jane understood why I didn't want another Babar. It wasn't right to have a new one. It wouldn't be right to put something on top of those memories of her. To pretend that another Babar could replace the one she gave me. It wasn't the toy. It was everything about the toy. I asked Jane not to tell John about Babar or what had just happened. I was feeling out of sorts enough having just gone to pieces in front of my new mom. I didn't want to drag my new dad into it too. She promised. And then she gave me a hug and we went to get ice cream, and I just about made myself throw up eating an entire banana split. Which to my eight-year-old mind was a good thing. Truly, an eventful day all around. A week later Jane and I were standing on the observation deck of the CDFS Amerigo Vespucci, staring down at the blue and green world named Huckleberry, where we would live the rest of our lives, or so we thought. John had just left us, to take care of some last-minute business before we took our shuttle trip down to Missouri City, from where we would go to New Goa, our new home. Jane and I were holding hands and pointing out surface features to each other, trying to see if we could see Missouri City from geostationary orbit. We couldn't. But we made good guesses. â€Å"I have something for you,† Jane said to me, after we decided where Missouri City would be, or ought to be, anyway. â€Å"Something I wanted to give you before we landed on Huckleberry.† â€Å"I hope it's a puppy,† I said. I'd been hinting in that direction for a couple of weeks. Jane laughed. â€Å"No puppies!† she said. â€Å"At least not until we're actually settled in. Okay?† â€Å"Oh, all right,† I said, disappointed. â€Å"No, it's this,† Jane said. She reached into her pocket to pull out a silver chain with something that was a pale green at the end. I took the chain and looked at the pendant. â€Å"It's an elephant,† I said. â€Å"It is,† Jane said. She knelt down so that she and I were face-to-face. â€Å"I bought it on Phoenix just before we left. I saw it in a shop and it made me think of you.† â€Å"Because of Babar,† I said. â€Å"Yes,† Jane said. â€Å"But for other reasons, too. Most of the people who live on Huckleberry are from a country on Earth called India, and many of them are Hindu, which is a religion. They have a god called Ganesh, who has the head of an elephant. Ganesh is their god of intelligence, and I think you're pretty smart. He's also the god of beginnings, which makes sense, too.† â€Å"Because we're starting our lives here,† I said. â€Å"Right,† Jane said. She took the pendant and necklace from me and put the silver chain around my neck, fastening it in the back. â€Å"There's also the saying that ‘an elephant never forgets.' Have you heard it?† I nodded. â€Å"John and I are proud to be your parents, Zoe. We're happy you're part of our life now, and will help us make our life to come. But I know neither of us would want you ever to forget your mother and father.† She drew back and then touched the pendant, gently. â€Å"This is to remind you how much we love you,† Jane said. â€Å"But I hope it will also remind you how much your mother and father loved you, too. You're loved by two sets of parents, Zoe. Don't forget about the first because you're with us now.† â€Å"I won't,† I said. â€Å"I promise.† â€Å"The last reason I wanted to give you this was to continue the tradition,† Jane said. â€Å"Your mother and your father each gave you an elephant. I wanted to give you one, too. I hope you like it.† â€Å"I love it,† I said, and then launched myself into Jane. She caught me and hugged me. We hugged for a while, and I cried a little bit too. Because I was eight years old, and I could do that. I eventually unhugged myself from Jane and looked at the pendant again. â€Å"What is this made of?† I asked. â€Å"It's jade,† Jane said. â€Å"Does it mean anything?† I asked. â€Å"Well,† Jane said, â€Å"I suppose it means I think jade is pretty.† â€Å"Did Dad get me an elephant, too?† I asked. Eight-year-olds can switch into acquisition mode pretty quickly. â€Å"I don't know,† Jane said. â€Å"I haven't talked to him about it, because you asked me not to. I don't think he knows about the elephants.† â€Å"Maybe he'll figure it out,† I said. â€Å"Maybe he will,† Jane said. She stood and took my hand again, and we looked out at Huckleberry once more. About a week and a half later, after we were all moved in to Huckleberry, Dad came through the door with something small and squirmy in his hands. No, it wasn't an elephant. Use your heads, people. It was a puppy. I squealed with glee – which I was allowed to do, eight at the time, remember – and John handed the puppy to me. It immediately tried to lick my face off. â€Å"Aftab Chengelpet just weaned a litter from their mother, so I thought we might give one of the puppies a home,† Dad said. â€Å"You know, if you want. Although I don't recall you having any enthusiasm for such a creature. We could always give it back.† â€Å"Don't you dare,† I said, between puppy licks. â€Å"All right,† Dad said. â€Å"Just remember he's your responsibility. You'll have to feed him and exercise him and take care of him.† â€Å"I will,† I said. â€Å"And neuter him and pay for his college,† Dad said. â€Å"What?† I said. â€Å"John,† Mom said, from her chair, where she had been reading. â€Å"Never mind those last two,† Dad said. â€Å"But you will have to give him a name.† I held the puppy at arm's length to get a good look at him; he continued to try to lick my face from a distance and wobbled in my grip as his tail's momentum moved him around. â€Å"What are some good dog names?† I asked. â€Å"Spot. Rex. Fido. Champ,† Dad said. â€Å"Those are the cliche names, anyway. Usually people try to go for something more memorable. When I was a kid I had a dog my dad called Shiva, Destroyer of Shoes. But I don't think that would be appropriate in a community of former Indians. Maybe something else.† He pointed to my elephant pendant. â€Å"I notice you seem to be into elephants these days. You have a Celeste. Why not call him Babar?† From behind Dad I could see Jane look up from her reading to look at me, remembering what happened at the toy store, waiting to see how I would react. I burst out laughing. â€Å"So that's a yes,† Dad said, after a minute. â€Å"I like it,† I said. I hugged my new puppy, and then held him out again. â€Å"Hello, Babar,† I said. Babar gave a happy little bark and then peed all over my shirt. And that's the story of the jade elephant.

A Midsummer Night’s Dream Essay The Young Lovers

The Young Lovers of A Midsummer Night’s Dream For the proper view of the plight of the young lovers of Shakespeare’s A Midsummer Night’s Dream, we should look to other characters in the play. We are invited to sympathize with their situation, but to see as rather ridiculous the posturing to which it leads. This is evident in their language which is often highly formal in use of rhetorical devices, and in Lysanders and Hermias generalizing of the course of true love (the reasons they give why love does not run smooth clearly do not refer to their own particular problems: they are not different in blood, nor mismatched in respect of years). Pyramus and Thisbe is not only Shakespeares parody of the work of other†¦show more content†¦But the best reason is that Demetriuss profession of his new-found love makes the antidote or its absence redundant in his case. Early in the play we laugh at what the young lovers say. Lysander is aware of his and Hermias sufferings, but to pontificate about the course of true love generally, to say it never did run smooth, is risible. The alternate lines in which Lysander proposes a reason why love does not run smooth, while Hermia comments on his statement, invite ridicule, as his or (leading to another reason) is followed by her O, bewailing the cause of the lovers suffering. In the same scene, we note how the same device (stychomythia) is used rather differently, as Hermia and Helena expound Demetrius preferences: I frown upon him, yet he loves me still/O that your frowns would teach my smiles such skill!. Here the use of similar vocabulary with opposite meaning is made emphatic by the rhyming couplet. When Helena soliloquizes about love, at the end of the scene, she speaks wisely, in her general account, but her inability to be wise in her own situation is comic. Disclosing her rivals flight to Demetrius, to enjoy his company briefly, seems perverse, but is wholly plausible: young people in love often do silly things. In the wood, we see the likely outcome of Oberons orders to Puck, asShow MoreRelatedWeathering the Storms of True Love1159 Words   |  5 Pagespresents the truth about true love in his comical tragedy A Midsummer Nights Dream. Lysander clearly stated loves situation when he told Hermia the course of true love never did run smooth (Griffiths 94). In some ways Lysanders declaration becomes the plays structural and thematic point by which Shakespeare uses to explore the storms of love (Bloom 12). In A Midsummer Nights Dream, Shakespeare uses young lovers to depict how love masters young people and pushes them to extreme measures (ComtoisRead More Comparing A Midsummer Nights Dream and Romeo and Juliet Essay1176 Words   |  5 Pagesanother, two stand out from the rest as sharing a great deal in common. Specific, solid parallels can be drawn between Shakespeares plays A Midsummer Nights Dream and Romeo and Juliet. The themes and characters are remarkably similar in many aspects. Firstly, both plays highlight the stereotypical young lovers - Hermia and Lysander in A Midsummer Nights Dream and Romeo and Juliet in Romeo and Juliet. Secondly, both plays are very ambiguously categorized. By this I mean that each could have beenRead MoreUnreality in A Midsummer Nights Dream1693 Words   |  7 PagesUnreality in A Midsummer Nights Dream Shakespeares A Midsummer Nights Dream is a play that encompasses three worlds: the romantic world of the aristocratic lovers, the workday world of the rude mechanicals, and the fairy world of Titania and Oberon. And while all three worlds tangle and intertwine during the course of the play, it is the fairy world that has the greatest impact, for both the lovers and the mechanicals are changed by their brush with the children of Pan. For those whoseRead MoreLove and Lust in Loves Labours Lost1292 Words   |  6 PagesShakespeare’s â€Å"A Midsummer Night’s Dream†, and Wole Soyinka’s â€Å"The Lion and the Jewel†. One aspect of love demonstrates its brilliant sides, and with it, brings affection, faith, and intimacy. However, it is also noted that an equal aspect of love conveys the consequences and misfortunes, the negative connotations of love, which the essay will be exploring, broken down into several characteristics: lust, manipulation, and hatred, which both plays share in correspondence and in distinction. In A Midsummer Night’sRead MoreThe Theme of Love in A Midsummer Night’s Dream by William Shakespeare894 Words   |  4 PagesThe Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove thisRead MoreContrasting Places in a Mid Summer Nights Dream Essay1409 Words   |  6 Pagesland and the sea) to represent opposed forces or ideas that are central to the meaning of the work. Choose a novel or play that contrasts two such places. Write an essay explaining how the places differ, what each place represents, and how their contrast contributes to the meaning of the work. Structure Vs. Chaos A Midsummer Night’s Dream Contrasting places have been used in many works of literature throughout history to strengthen the meaning of stories. The use of two different settings withinRead More A Cubist Perspective of Shakespeares A Midsummer Nights Dream2475 Words   |  10 PagesA Cubist Perspective of Shakespeares A Midsummer Nights Dream      Ã‚  Ã‚  Ã‚   The great cycle of the ages is renewed. Now Justice returns, returns the Golden Age; a new generation now descends from on high. - Virgil, Eclogues 1.5    As Virgil stated so many years ago, history is a cyclical phenomenon. The experiences of one age tend to be repeated in future generations. Knowing that, we should not be surprised to find the seeds of modern styles and philosophies sprouting in earlierRead More A Comparison of Romantic Love in A Midsummer Nights Dream, The Tempest, and Twelfth Night1505 Words   |  7 PagesRomantic Love in A Midsummer Nights Dream, The Tempest, and Twelfth Night In all of Shakespeares plays, there is a definitive style present, a style he perfected. From his very first play (The Comedy of Errors) to his very last (The Tempest), he uses unique symbolism and descriptive poetry to express and explain the actions and events he writes about. Twelfth Night, The Tempest and A Midsummer Nights Dream are all tragicomedies that epitomise the best use of the themes and ideologyRead More Importance of Speech in Much Ado About Nothing, A Midsummer Nights Dream, and Richard III2277 Words   |  10 PagesImportance of Speech in Much Ado About Nothing, A Midsummer Nights Dream, and Richard III Speech is often the strongest indicator of personality and motivation in Shakespearean histories and comedies. Each turn of phrase is a small insight into the essence of the character. Stringing together each line from the mouth of the character allows the audience to discover each nuance created by Shakespeare. By connecting the actions to a manner of speech, which mirrors those actions, ShakespeareRead MoreFemale Sexuality in Shakespeare4830 Words   |  20 PagesQuestion Compare and contrast the representation of female sexuality in Cymbeline, the Sonnets, and one of the plays: A Midsummer Night’s Dream, Richard II, Hamlet, Antony and Cleopatra, Measure for Measure or King Lear.       Both Cymbeline and A Midsummer Night’s Dream  (AMND)  are both set in a patriarchal environment where both genders grapple for control. Valerie Traub defines the distinction between gender sex and gender behavior as â€Å"Sex refers to the . . . biological distinctions between